Showing posts with label Padraig Pearse. Show all posts
Showing posts with label Padraig Pearse. Show all posts

Wednesday, 14 January 2015

BYJASUIS CHARLIE HEBDO ITS REVISIONISM & CENSORSHIT



It is over fifty years ago now, since I won a prize for an article I wrote as a young boy, in the Farmers Journal, about my favourite hero, who was Padraig Pearse. It was more love of the subject than writing skills, that won it, but then that was before I found uisce beatha.I'm not sure much has changed, in how I see the subject since. The first obvious thing for me about Padraig, was his love of the Irish countryside and it's people, rather than resentment or ego. He had a little cottage, which is called Pearse's Cottage today, where he spent his summers in Conamara, which he loved.

You can imagine my shock recently, when I read that the spokesperson for the 1916 societies from Omagh, was on about the backwoods of Conamara and the 'security forces' while crying about losing the welfare state and wants devomax instead to save it, following his master's revisionist fascism, censoring everyone who disagreed, with a passion usually reserved for the likes of Charlie Hebdo. Something seriously wrong there, must be some more, cerebral masturbation, from within the red, white and blue kerbstones of Omagh. There will not be much honour brought to 2016, with that sort of hatred, ego and ignorance, from within the ranks of 1916 societies. Love is patient, we will have our Irish Republic, fit for free women and men to live and prosper as equals.
An Phoblacht Abu!

Padraic Pearse (b. Nov. 10,(?) 1879 - d. May 3, 1916)

The son of an Irish mother and an English father, he was born at 27 Gt. Brunswick St., (now Pearse St.) in Dublin and educated at the Christian Brothers' School. He graduated from the Royal University and became a barrister, but he was an enthusiastic student of the Irish language. He became a writer in both English and Gaelic. Pearse envisioned a free Gaelic Ireland and founded St. Enda's College, a school for boys.
After visiting the United States he joined the Irish Volunteers and was commander-in-chief of the Irish rebel forces in the Easter Rebellion of 1916. He realised the rebel situation was hopeless and ordered his troops to surrender to the British. He was arrested with several other leaders (including his brother) and shot.
Too often, we discover that one of Irelands timelessly well known writers was part of the rebellion. Of course, too often, they were executed. What works may have been created that would delight us today; had they only lived to write them.


The Wayfarer
by Padraic Pearse

The beauty of the world hath made me sad,
This beauty that will pass;
Sometimes my heart hath shaken with great joy
To see a leaping squirrel in a tree,
Or a red lady-bird upon a stalk,
Or little rabbits in a field at evening,
Lit by a slanting sun,
Or some green hill where shadows drifted by
Some quiet hill where mountainy man hath sown
And soon would reap; near to the gate of Heaven;
Or children with bare feet upon the sands
Of some ebbed sea, or playing on the streets
Of little towns in Connacht,
Things young and happy.
And then my heart hath told me:
These will pass,
Will pass and change, will die and be no more,
Things bright and green, things young and happy;
And I have gone upon my way
Sorrowful.




1916 Proclamation needs to be

Realised not rewritten!





With the Centenary of the 1916 Easter Rising fast approaching the 32 County Sovereignty Movement welcomes all genuine efforts to both mark and progress the core message of that seminal event. We are also mindful that there will be those who will seek to bury and distort that core message because it does not dovetail into present political positions.

The recent promotional video released by the Dublin Government ranks at the extreme end of the revisionist spectrum. Rightly castigated by their own historical adviser on the project the video nonetheless gave us an insight as to how the political establishment in the Twenty Six Counties State plans to mark the occasion.

More recently it has emerged that a group comprising of relatives of those who participated in 1916, along with artists and academics, has been formed with the stated aim of ‘Reclaiming the Vision of 1916’. At a recent press conference, chaired by artist Robert Ballagh, the group stated that it had ‘drafted a modern version of the Proclamation’. On what basis would it seek to do this? What is wrong with the draft as is written? What agenda requires interfering with the 1916 Proclamation?

These questions are salient because the Proclamation is the bedrock document upon which the insurgents instigated their rebellion in pursuit of its realisation. Their actions were invoked by the Declaration of Independence in Dáil Eireann, democratically ratified by the Irish people in the 1918 General Election. The Proclamation is also the cornerstone of the legal challenge currently lodged with the United Nations challenging Britain’s continuing violation of Irish sovereignty.

As National Chairperson of the 32CSM it is incumbent upon me to ask of this group; are your efforts to draft a new proclamation an attempt to reconcile the Good Friday Agreement with the existing draft or are they an attempt to diffuse or divert from the basic fact that Partition and the Proclamation cannot be reconciled?

I openly invite Mr Ballagh and any other representatives of this group to meet with me and explain their thinking because given the level of revisionist din that will no doubt surround the Centenary clear voices are essential to honour those of Easter Week with the same clarity by which they spoke to us.

Francie Mackey



-------------------------------------------------------------
OTR  Inquiry

Q: The other key player in this, Sinn Fein’s Gerry Kelly, has refused to come along to give evidence. Why do you think that is?
Blair says the committee will have to ask Kelly.

But of course they didn't

What Would It Be Like?

By Arthur D. Robbins

January 13, 2015 "ICH" - What would it be like if we really lived in a democracy? These days just about everybody seems to be enjoying the benefits democratic government, that is if you believe government propaganda and you are one of the credulous many who are eager for a sense of well being at any price. But what is usually called democracy is in fact an oligarchy of elected representatives responsible to the business interests who bankrolled their campaign. If people were actually given the opportunity to choose democracy, they might do so, provided they understood what the word actually means. Our one uncontested example is ancient Athens.
Ancient Athens was a citizen-state. It was the political center for the larger landmass known as Attica, a peninsula extending southward into the Aegean Sea. At 9,000-10000 square miles Attica is roughly the size of the state of Rhode Island. Attica’s population during the height of Athenian democracy in the fifth century B.C.E. was between 300,000-350,000. Of that number some 30,000-40,000, or about ten percent, were citizens. Only adult males over the age of eighteen years who served in the military qualified for citizenship. Women were denied political rights as were slaves, about 20,000 of them, and metics, or foreigners.
What made ancient Athens a citizen-state? It was self-governing. That is to say the citizens themselves ran the government on a day-to-day basis. The citizens—not their representatives— gathered in the Assembly at least once a month and more frequently as required. There, citizens debated and voted on the issues that affected their community and their nation as a whole. By a show of hands and sometimes by casting a black (no) or white (yes) ball into a clay jar, they voted to go to war or not, to receive ambassadors or not, to grant a certain individual citizenship or not.
Athenians voted on which projects to fund and which not to fund. They voted on laws regulating the exportation of grain, which was in short supply. They decided how much should be charged for leasing a temple’s land. They decided how many and who should be the envoys representing Athens in foreign lands. The week-by-week conduct of a war had to go before the Assembly week by week.
The Ekklesia (Assembly) met at the Pnyx, an amphitheater located about one half mile outside of Athens, itself. At the front end of the Pnyx was the bema, or stepping stone, where a citizen would rise to address the Assembly. As many as six thousand would be in attendance on a given day. The presiding officer would begin each session with the question, “Who wishes to speak?” Any one in attendance had the right to address the assembly.
The bema was the material embodiment of “equal speech” — isēgoría —i.e. the equal right of every Athenian citizen to debate matters of policy. Note the difference between “equal speech,” or “political speech,” the right to debate and legislate, and what today we call “free speech,” the prohibition against being denied the right to speak. We could be speaking on a street corner or marching in a protest. “Free speech” says we have the right to do that. It says the right cannot be taken away. “Free speech” has no particular context. We are granted the right to say what we want, provided, it turns out, we do not threaten the governing powers. “Free speech” is a civil right. It is not a political right. It does not give us the right to set national policy. “Equal speech” in ancient Athens did.
Haranguing some passerby to vote for a certain candidate is not political speech nor is voting in an election. “What about writing a letter to my congressman? Isn’t that political speech?” No. It is complaining or pleading. Most of the time it changes nothing. It has no real power. It is not constitutive. It does not have the power to bring something into existence. Only political speech does.
In 1789, the year the Constitution was ratified, the United States covered a landmass of over 500,000 square miles and had a population in excess of 3,000,000. As was the case in ancient Athens, women and slaves, about 200,000 were denied political rights. In the House of Representatives, made up of sixty-five members, thirty-three individuals would constitute a quorum. Of these, seventeen would constitute a majority, the sense of the House.
There were twenty-six members of the Senate, two for each state, of which fourteen would constitute a quorum, eight of whom would make a majority, or the sense of the Senate. Seventeen in the House plus eight in the Senate equals twenty-five. Thus it appears that the liberties, happiness, interests, and great concerns of the whole United States were dependent upon the integrity, virtue, wisdom, and knowledge of 25 or 26 men.
If one rounds off the numbers and does a comparison, ancient Athens with a population of 300,000, was governed by 30,000 men. The United States in 1790 with a population ten times that of ancient Athens or 3,000,000 was governed by 91 men. 30,000 vs. 91 describes the difference, numerically speaking, between a democracy and an oligarchy.
In the year 2015, combining the Senate and the House, there is a governing body comprised of 535 men and women for a country with a population in excess of 300,000, 000, or 10,000 times that of ancient Athens. Thus there is roughly one voice for every 600, 000 Americans, hardly what one would call a democracy.
Can we even conceive of transposing the benefits of ancient Athenian democracy onto the United States of America, a country covering a landmass of approximately 3,500,000 million square miles, with a population of over 300,000,000? If we start on a small scale and use our imagination, perhaps we can.
If we return to the concept of “equal speech,” “political speech” or isēgoría, and apply it to our current situation in the year 2015, we realize that, in the United States, political speech is reserved for the governing oligarchy. The 435 men and women who sit on the floor of the House of Representatives have the right to speak. They can debate and legislate, set policy. 623 of us sit in the gallery observing and listening to what takes place on the floor. We cannot speak. We can only listen and observe. We are politically powerless. We lack political speech. We are “speechless.”
Well just suppose that the 623 of us in the gallery decide to descend on to the House floor and enter the debate. We now have a political voice. We are no longer “speechless.” There are now 1058 of us on the floor, instead of 435. 623, the majority of us, are free spirits. We didn’t get to the floor by soliciting millions from corporate donors to whom we then owe our allegiance. We are “walk-ons,” “free agents” with a political voice. We simply speak our minds and vote what makes sense to us based on our various backgrounds and interests. Such an assemblage is a lot more likely to speak for the common good than Lockheed Martin.
Let us imagine that as citizens with political speech, on the floor of the House of Representatives, in the year 2015, we have the same rights as the ancient Athenians gathered in the Pnyx, in the 5th century B.C.E., more the 2,500 years ago. In ancient Athens anyone could declare before the assembly that a law was unconstitutional or at odds with the common good. If a majority agreed, the law was null and void and the proposer of said law was penalized This right was known as graphe paranomon. Now we have that right, those of us on the floor of the House of Representatives in the year 2015. Anyone one of us can declare a law unconstitutional or at odds with the common good. If a majority of us on the House floor agree, that law is null and void. We could start with the “Patriot Act” and then pass on to the “National Defense Authorization Act of 2014,” both of which violate the Constitution. Now they are out the door.
And further we have the right of eisangelia or denunciation. Anyone of us can charge a citizen with treason, the attempt to overthrow our democracy, or corruption, taking payment to make a proposal before the Assembly, in this case the House of Representatives. What is jubilantly known as “Obamacare” was proposed by the insurance companies who stand to gain the most from its enactment and dutifully inscribed by the congressmen who, undoubtedly were duly rewarded for their efforts. Once again, out the door, if a majority of us are convinced of the justice of the accusation. Anyone of us can charge an office holder with malfeasance or incompetence. If the majority agrees that individual is removed from office.
In ancient Athens there was a monthly inspection of those magistrates who were entrusted with public funds. Also, on a monthly basis, the assembly would call a vote on the magistrates. At this time any government official could receive a vote of no confidence and be dismissed. Such accusations were not uncommon. “Ancient democracy was as a rule characterized by frequency of political prosecutions, whereas oligarchies suffered from the opposite defect, that leaders hardly ever called to account at all.” (Hansen, 218) Wouldn’t it be nice if we in the 21st century had that same power? If only we could weed our garden, we could make room for healthy growth.
In ancient Athens, in the 5th century, B.C.E., there was no written constitution. There were no written laws. There was no codification of the laws. The ekklesia in session was the government. It evolved organically over the generations in response to changing conditions and the emotional and intellectual makeup of those who attended. In the United States we have a written Constitution. Fifty-five men — landed aristocrats, speculators, merchants, attorneys — now dead for more than two hundred years, determine the government we live under. In ancient Athens the living governed themselves.
In addition to participating in the debates occurring in the Assembly, the Athenian citizen might serve on the Council of five hundred (the boule). The boule was responsible for drafting preparatory legislation for consideration by the Assembly, overseeing the meetings of the Assembly, and in certain cases executing legislation as directed by the Assembly.
The members of the boule were selected by a lottery held each year among male citizens over thirty years of age. Fifty men would be chosen from each of the ten Athenian tribes, with service limited to twice in a lifetime. There were ten months in the Athenian calendar, and one of the ten tribes was in ascendancy each month.
The fifty citizen councilors (prytanies) of the dominant tribe each month served in an executive function over the boule and the ekklesia. From that group of fifty, one individual (the epistates) would be selected each day to preside over the boule and, if it met in session that day, the ekklesia. The epistates held the keys to the treasury and the seal to the city, and he welcomed foreign ambassadors. It has been calculated that one-quarter of all citizens must at one time in their lives have held the post, which could be held only once in a lifetime. Meetings of the boule might occur on as many as 260 days in the course of a year.
Suppose we wanted to set up a democracy in the United States. It would be easy enough to do so by simply multiplying sufficiently the number of assemblies. How does the number 18,000 sound? Sounds like a lot? That is the number of school districts in the United States. Each school district could have an assembly that debated and voted on national legislation and policy. Votes could be tabulated on a national basis and thus would the citizens govern themselves. Extrapolating somewhat to the larger scale, we could have a boule of 2,000 selected by lot from around the country. This council of 2,000 would set the agenda for the various local assemblies.
Let us imagine that the assemblies meet forty times a year as they did in Athens and that they are sitting three or four days a week. Let us imagine that some meetings are held in the evenings and over the weekends. Maybe 500 citizens would attend a given assembly, with different citizens in attendance from one session to the next based on interest and availability. If you do the arithmetic you will learn that on a given day 9,000,000 Americans are actively involved in governing themselves, determining how monies should be spent, whether or not to wage war or peace. That is democracy at work.
Yes, you might lose some television time but just think, you and your friends and neighbors would be running the show. You wouldn’t have to sit by, leading a life of quiet desperation, passively enduring the depredation of the economy, the ecology, foreign lands and cultures all to serve the predator class in control. Such participation would be uplifting and invigorating. Yes there would be the stress of disagreement and debate and division of opinion. But you would get better at expressing your thoughts and winning others to your side. And you, yourself, might grow and learn from what others have to say. You might find yourself with a sense of pride for being an American.
The third element of the Athenian Democracy — the Ekklesia and the boule are the first two — was the system of jury courts known as the dikasteria. Jurors were selected by lot from an annual pool of 6,000 citizens (600 from each of the ten tribes) over the age of thirty. There were both private suits and public suits. For private suits the minimum jury size was 201; it was increased to 401 if a sum of more than 1,000 drachmas was at issue.
For public suits there was a jury of 501. On occasion a jury of 1,001 or 1,501 would be selected. Rarely, the entire pool of 6,000 would be put on a case. No Athenian juror was ever subjected to compulsory empanelment, voir dire, or sequestration, nor was any magistrate empowered to decide what evidence the jury could or could not be allowed to see. It was forbidden by law to pay anyone to represent you in court.
Jurors could not be penalized for their vote—unless it could be shown that they had accepted bribes. But the practice of selecting juries randomly on the morning of the trial and the sheer size of the juries served to limit the effectiveness of bribery. The Athenian court system did not operate according to precedent. No jury was bound by the decisions of previous juries in previous cases. This is a striking difference between Athenian law and more familiar systems such as Roman law or English common law. The Athenian system of justice was consistent with the prevailing opposition to elitism and the oppressive effects of received wisdom in matters of justice. Each citizen used his own common sense to make judgments based on personal belief and prevailing mores.
Private cases were put forward by the litigants themselves, and single speeches on each side were timed by water clock. In a public suit the litigants each had three hours to speak. Much less time was allotted in private suits, the time proportional to the amount of money at stake. Justice was rapid, because a case could last no longer than one day. There were no lawyers. There were no judges, only juries of the litigants’ peers. This was amateur justice—perhaps the best kind.
There were about eleven hundred magistrates or administrators in Athens whose job it was to oversee the day-to-day responsibilities of a complex communal life. There was water supply and grain supply to attend to. There were building projects. There were issues of trade. There were religious festivals to organize and oversee. Of these eleven hundred administrators, all but one hundred were chosen by allotment. An individual would put his name forward to hold a certain office in the year prior to his desired tenure. He had to be at least thirty years of age, or in some cases forty. His name was chosen at random from the pool of nominees, and he held office for a year. Generals and those in charge of large sums of money were elected.
It was assumed that magistrates had no special expertise. The lack of expertise was mitigated by the fact that magistrates served as part of a panel overseeing a certain function, and that what one lacked in knowledge another might have. A magistrate could hold his position only once in a lifetime, another way of minimizing the amount of harm any individual could cause. As a further precaution, all magistrates were subject to a review beforehand that might disqualify them for office. Any citizen could challenge a magistrate for his conduct, leading to a trial that could result in his being removed from office and possibly penalized. Thus, accountability to the citizenry was built into the system at the most fundamental level. Even Pericles, the most esteemed figure in Athenian life, could be chastised and fined for his conduct of the war with Sparta.
If we consider broadly the form of government in ancient Athens and its system of justice, one overriding dynamic becomes evident: fear of power, fear of the concentration of power, fear of the abuse of power. This was reflected in the use of large juries (thus making bribery and manipulation more difficult), the absence of lawyers, the absence of a police force, the wide use of arbitration, reliance on current values and common sense for passing judgment (rather than the intricacies of common law), the use of a citizen army rather than a standing professional army controlled by the state, and the use of sortition (lottery) rather than election as a means of choosing magistrates and members of the boule, brief tenure in office.
Ancient Athens was not a perfect government, but it was a functioning political democracy. The people of Attica governed themselves. The wealthiest aristocrat and the humblest artisan stood on equal footing in meetings of the Assembly, as participants in the Council, as jurors, and as magistrates. There were no representatives. There was no monarch. There were no oligarchs.
Athenians of all classes were the state. They debated on equal footing the issues of the day, passed laws, ran the city on a day-to-day basis, filled the juries, and held all magistrates and even generals accountable for their conduct. There was no privileged class safe from public scrutiny and accountability.
These were a dynamic and self-confident people. Their intellectual and artistic achievements provide the foundation for Western civilization. Basically, they invented democracy. They were our first and remain our enduring philosophers, many of whose ideas are as valid today as when they were uttered some twenty-five hundred years ago. Greek architecture inspires us still. The vibrancy and richness of Greek dramatic writing from this era have yet to be equaled.
It is highly unlikely that a different form of government could ever have produced such riches, certainly not the one proposed by Plato in his Republic or the one that existed in Sparta. It was the democratic governing process itself—the pride it inspired, the intellectual and oratorical skills it required—that produced a public capable of creating and appreciating such a rich cultural life. One can wonder what America might become under similar circumstances.
Recommended reading
There are many excellent sources on the subject of ancient Athens. I recommend as a starting point: H.D.F. Kitto, The Greeks; R.K. Sinclair, Democracy and Participation in Athens; I. F. Stone, The Trial of Socrates; and Mogens Herman Hansen, The Athenian Democracy in the Age of Demosthenes. Hansen’s is the definitive text. It is comprehensive. It is detailed. Its only drawback is that it covers 4th century Athens when Athenian society was depleted by the war with Sparta and democracy was in decline.
Arthur D. Robbins is the author of Paradise Lost, Paradise Regained: The True Meaning of Democracy, referred to by Ralph Nader as “An eye-opening, earth-shaking book… a fresh, torrential shower of revealing insights and vibrant lessons…”

Saturday, 29 November 2014

BEWARE OF THE RISING CELTIC PEOPLE









Ireland's Spirit, evolved from both Greek mythology of the Rising Phoenix on the ashes and the Easter Resurrection from the tomb, combined into our own. The words Rising and Phoenix, have highly significant Spiritual essence for the Irish, which can only be experienced, as once again it is happening in Ireland, at this present time. It is an experience, that is physical, emotional, intellectual and spiritual among the developing relationships of insurrection and protest, which are currently part of the bigger picture, of defining Ireland's future relationships within itself, Europe and the World.

The cataclysmic experience of a sudden shift, from the illusory Celtic Tiger, to a mafianomic austerity, has sparked this insurrection. Through the ensuing process of awareness, the opportunity exists for Ireland to release old undigested experiences, traumas, personal beliefs, outdated habits and patterns, to move into a more whole and united entity in everyday life, with a new perspective and national efficacy.

The responsibility of the enlightened worldwide, is to support the Irish people in solidarity, while moving in the direction, of a life worth living on the island, to a purpose driven, meaningful life experience, with less poverty stress and anxiety, in fulfilling their work and relationships. Core issues, both private and public, that hinder a new progressive way of fulfilling Irish life, will have to be confronted and addressed, in what is hopefully, a peaceful, intelligent, way forward. Help to empower Ireland in this direction, is needed from the benign, rather than the centuries old, malign interference. The influence of the Irish diaspora abroad, is critical in all of this, as the New Ireland evolves, one protest at a time.

The article below from Wikipedia, on the work of WB Yeats, is a record of this critical influence from English literature, in what became known as the Celtic revival. However the writer and revolutionary Padraig Pearse was the Gaelic element, that recognized, the important Spiritual aspect of the Irish revival, in reawakening the Soul of the Island. This was best captured in his expression, “Tír gan teanga, tír gan anam. A country without a language is a country without a soul.” Ireland's Soul certainly went to sleep around the tiger, it remains to be seen, just how far the "Risen People" will take it this time and how both reactionary domestic forces and foreign occupation forces, will mishandle it, this time.


Currently they are using their corporate media, to demonize the protest. Their history suggests, they will try to use provocateurs to create violence, with some sort of false flag operation, in places such as Limerick, to divide and discredit the protesters. They will attempt to introduce the terrorist narrative, to justify extra judicial activity. They will use tactics, similar to those used outside the British Embassy in Ballsbridge some years ago, during the Hunger Strike. Lessons from that experience and mistakes made, are important factors in being prepared to anticipate any state, counter attacks and to be organized.



September 1913


From Wikipedia, the free encyclopedia




This article is about the poem by W. B. Yeats. For the month in 1913, see September_1913_(month).


"September 1913" is a poem by W. B. Yeats. Perhaps one of his greatest works, September 1913 was written midway through his life as a highly reflective poem which is rooted within the turbulent past. Most notably, the poem provides insight into Yeats' detestation of the middle classes whilst also glorifying figures such as John O'Leary.


What need you, being come to sense,
But fumble in a greasy till
And add the halfpence to the pence
And prayer to shivering prayer, until
You have dried the marrow from the bone;
For men were born to pray and save;
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.

Yet they were of a different kind,
The names that stilled your childish play,
They have gone about the world like wind,
But little time had they to pray
For whom the hangman's rope was spun,
And what, God help us, could they save?
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.

Was it for this the wild geese spread
The grey wing upon every tide;
For this that all that blood was shed,
For this Edward Fitzgerald died,
And Robert Emmet and Wolfe Tone,
All that delirium of the brave?
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.

Yet could we turn the years again,
And call those exiles as they were
In all their loneliness and pain,
You'd cry `Some woman's yellow hair
Has maddened every mother's son':
They weighed so lightly what they gave.
But let them be, they're dead and gone,
They're with O'Leary in the grave.[1]


Contents

[hide]
1 Style
2 Key Themes and John O'Leary
3 The Hugh Lane Bequest
4 Dublin Lock-out
5 References

Style[edit]


Unlike some of his earlier work, this poem adopts a new tone and style which expresses a hatred for the CatholicBourgeoisie.[2] Yeats' new use of unpleasant adjectives such as 'greasy' is very much indicative of the tone, as he expresses that religion and the middle class are crafty and sly. Moreover, the use of the strong ABAB rhyme scheme maintains a spiteful and accusatory tone.
Key Themes and John O'Leary


The poem focuses on manifesting Yeats' new stance of belief exploring his new political mind and celebrating those, whom he believes worth of praise. Notably, in all four of the refrains, Yeats mentions John O'Leary, who was an Irish separatist 'of a different kind'. His political stance was much less self-interested, compared with many of Yeats' contemporaries, as he instead focused on getting the greatest good for Ireland. It is clear through the poem, Yeats admires this and wishes for a return to the less egotistical and self-driven politics of a bygone era. Yeats does, however, appear to question whether these great historical figures, whom he admired and previously emulated in the style of his earlier work, are comprehensive in their understanding of the world in which they lived.


"September 1913" functions also as an iconic example of Yeats's own fidelity to the literary tradition of the 19th British Romantic poets. A devoted reader of both William Blake andPercy Shelley, Yeats's repetition of the phrase "Romantic Ireland" connects the politically motivated ideals of the Romantics "to an Irish national landscape."[3] The fact that Yeats attaches a second repetition of "It's with O'Leary in the grave" indicates further the speaker's belief that John O'Learyembodied a nationalism in his political actions that now rests solely within the poem. Indeed, John O'Leary "directed Yeats not just to large-mindedness, but to a way of combining Romanticism with Irishness into an original synthesis."[4] In other words, O'Leary's influence on Yeats enables the poet to both inherit the literary legacy of the Romantics while carrying on the nationalistic vision of O'Leary. As a result, the romantic idealism found in Blake and Shelley is now transformed into a fundamentally Irish concept whereas Yeats's deep Irish heritage becomes Romantic in every sense of the word. "September 1913" thus illustrates that "Romantic Ireland is not dead after all; rather, it lives on in the remarkable voice uttering the poem, the voice of O'Leary's greatest disciple, fully of hybridity and passion at once."[5] In a matter of four stanzas, the poem's speaker manages to exist at the confluence of British Romanticism and Irish nationalism.


Ironically, Yeats's endorsement of the Romantic imagination in "September 1913" is also used to identify several of its flaws that are in need of his revision. Writing at the nexus of the Romantic and Irish traditions "enabled him to correct flaws not only of Shelley but also of Blake, who he thought should have been more rooted and less obscure."[6] Now that "Romantic Ireland's dead and gone," it can no longer express its will and thus requires Yeats poetic prowess to clarify Ireland's message. Speaking specifically about Irish leaders such as Edward Fitzgerald, Robert Emmet and Wolfe Tone, Yeats describes them as brave yet a bit delirious, a classification that treats the poet as far more grounded in his politics than the Irish nationalists who died. Yeats channels the fervor of their idealism and struggle through his words by insisting that his own poem continues the nationalist project initiated by those who came before him. The speaker's voice thus becomes "the characteristic note of Yeats's great mature poetry."[7]
The Hugh Lane Bequest


Hugh Lane offered his collection of paintings to the Dublin Municipal Corporation. Public reaction was mostly negative on economic and moral grounds. In the end, as Yeats said "the mob" prevailed. In a note to this poem Yeats wrote that the pictures "works by Corot, Degas and Renoir - were compared to the Trojan Horse 'which destroyed a city'. They were dubbed 'indecent' and those who admired the painting were called 'self-seekers, self-advertisers, picture dealers, log-rolling cranks, and faddists'..."[8]
Dublin Lock-out


Yeats wrote this poem following the Dublin Lock-Out and The Hugh Lane Bequest. Robert Emmet, mentioned in the poem, planned for a revolution several times, unsuccessfully. When he was finally successful, he was said to try and stop everything mid-rebellion, because he witnessed a man being pulled from his horse and killed. Considering that Emmet had spent months previously manufacturing explosives and weapons, this sudden drawback at the sight of violence, suggests that he did not fully understand the implications of a revolution. Perhaps Yeats is acknowledging the naivety of some Irish Republican figures like Robert Emmet, and himself, following public violence as a result of attempts at revolution.


see:[9]
References
Jump up^http://www.eliteskills.com/analysis_poetry/September_1913_by_William_Butler_Yeats_analysis.php
Jump up^ http://voices.yahoo.com/analysis-yeats-poem-september-1913-4534097.html
Jump up^ George Bornstein, "Yeats and Romanticism," The Cambridge Companion to W.B. Yeats, 27. Edited by Marjorie Howes and John Kelly. Cambridge: Cambridge University Press, 2006.
Jump up^ George Bornstein, "Yeats and Romanticism," 27.
Jump up^ George Bornstein, "Yeats and Romanticism," 28.
Jump up^ George Bornstein, "Yeats and Romanticism," 27.
Jump up^ George Bornstein, "Yeats and Romanticism," 28.
Jump up^ Adele M dalsimer, "By the Irish Political Ballad, Colby Library Quarterly, 12,1 March 1976, p38)http://www.advertiser.ie/galway/article/1479
Jump up^ Dublin Lock-out


This article incorporates text from September 1913, by W. B. Yeats, a publication from 1913 now in the public domain in the United States.





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W. B. Yeats



Poetry





Volumes

The Wanderings of Oisin and Other Poems (1889)
The Countess Kathleen and Various Legends and Lyrics(1892)
In the Seven Woods (1903)
The Wild Swans at Coole (1919)
Michael Robartes and the Dancer (1921)
The Tower(1928)
The Winding Stair and Other Poems (1933)




Poems

"Aedh Wishes for the Cloths of Heaven"
"An Irish Airman Foresees His Death"
"Adam's Curse"
"Blood and the Moon"
"The Circus Animals' Desertion"
"Down by the Salley Gardens"
"A Drunken Man's Praise of Sobriety"
"Easter, 1916"
"Ego Dominus Tuus"
"In Memory of Eva Gore-Booth and Con Markiewicz"
"Lake Isle of Innisfree"
"On being asked for a War Poem"
"Politics"
"A Prayer for My Daughter"
"Remorse for Intemperate Speech"
"The Rose of Battle"
"The Rose-Tree"
"Sailing to Byzantium"
"September 1913
"Song of the Old Mother"
"The Scholars"
"The Second Coming"
"The Song of the Happy Shepherd"
"The Stolen Child"
"Swift's Epitaph"
"To the Rose upon the Rood of Time"
"The Tower"
"Under Ben Bulben
"The Wanderings of Oisin"
"The Wild Swans at Coole"




Plays

Mosada (1886)
The Land of Heart's Desire (1894)
Diarmuid and Grania (1901)
Cathleen ni Houlihan (1902)
The Countess Cathleen (1911)
At the Hawk's Well (1916)
The Resurrection (1927)
Purgatory (1938)



Other works

A Vision (1925)
The Curse of the Fires and of the Shadows



People

John Butler Yeats (father)
Susan Pollexfen (mother)
Jack Butler Yeats (brother)
Elizabeth Yeats (sister)
Lily Yeats(sister)
Maud Gonne (lover)
Georgie Hyde-Lees (wife)
Anne Yeats (daughter)
Michael Yeats (son)



Related

W. B. Yeats bibliography
An Appointment with Mr Yeats
"Troy"
Thoor Ballylee
Samhain magazine




Categories:
Poetry by W. B. Yeats