CELTIC AWAKENING

The Stolen Child

From Wikipedia, the free encyclopedia

Glencar Waterfall, County Leitrimmentioned in the poem

"The Stolen Child" is a poem by William Butler Yeats, published in 1889 in The Wanderings of Oisin and Other Poems.

Contents   [hide]  1 Overview 2 Location 3 Publication history 4 In modern culture 5 See also 6 References 7 External links

Overview[edit]

The poem was written in 1886 and is considered to be one of Yeats's more notable early poems. The poem is based on Irish legend and concerns faeries beguiling a child to come away with them. Yeats had a great interest in Irish mythology about faeries resulting in his publication of Fairy and Folk Tales of the Irish Peasantry in 1888 and Fairy Folk Tales of Ireland in 1892.

The poem reflects the early influence of Romantic literature and Pre-Raphaelite verse.

Where dips the rocky highland

Of Sleuth Wood in the lake,

There lies a leafy island

Where flapping herons wake

The drowsy water rats;

There we've hid our faery vats,

Full of berrys

And of reddest stolen cherries.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand.

For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses

The dim gray sands with light,

Far off by furthest Rosses

We foot it all the night,

Weaving olden dances

Mingling hands and mingling glances

Till the moon has taken flight;

To and fro we leap

And chase the frothy bubbles,

While the world is full of troubles

And anxious in its sleep.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world's more full of weeping than you can understand.

Where the wandering water gushes

From the hills above Glen-Car,

In pools among the rushes

That scarce could bathe a star,

We seek for slumbering trout

And whispering in their ears

Give them unquiet dreams;

Leaning softly out

From ferns that drop their tears

Over the young streams.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world's more full of weeping than you can understand.

Away with us he's going,

The bright, but solemn eyed -

He'll hear no more the lowing

Of the calves on the warm hillside

Or the kettle on the hob

Sing peace into his breast,

Or see the brown mice bob

Round and round the oatmeal chest

For he comes, the human child

To the waters and the wild

With a faery, hand in hand

From a world more full of weeping than he can understand

Location[edit]

The places mentioned in the poem - Google map link

The places mentioned in the poem are in Leitrim and Sligo where Yeats spent much of his childhood.

Publication history[edit]

The poem was first published in the Irish Monthly in December 1886. The poem was then published in a compilation of work by several Irish poets Poems and Ballads of Young Ireland in 1888 with several critics praising the poem. It was later published in his first book of poetry The Wanderings of Oisin and Other Poems as well as Fairy and Folk Tales of the Irish Peasantry.

In modern culture[edit]

The poem was set to music and recorded by Loreena McKennitt on her 1985 debut albumElemental. Subsequently, additional musical versions were recorded by the folk rock group The Waterboys, appearing on their 1988 album Fisherman's Blues, with portions of the poem spoken by Tomas Mac Eoin; Heather Alexander on her 1994 album Wanderlust; and Hamilton Camp on his 2005 album Sweet Joy in the songCelts. Another version set to music and recorded on the Danny Ellis album 800 Voices, was released in 2006. As far back as 1911, the English composer Cyril Rootham set the poem to music. The renowned American composer Eric Whitacre has also set this poem in a piece for The King's Singers and the National Youth Choir of Great Britain. British composer and guitar virtuoso Steve Hackett recorded a version of Yeat's poem, under the title "Waters of the Wild" from his 2006 album "Wild Orchids"

Keith Donohue's novel, The Stolen Child (Nan A. Talese, 2006) was inspired by the poem. The refrain is prominently featured in Steven Spielberg's film A.I. Artificial Intelligence. The poem is also featured in the television series Torchwood episode "Small Worlds", being spoken by a fairy who steals a young girl. The novel Dies the Fire also incorporates the poem into elements of Wiccan rituals.

See also[edit]

• 1889 in poetry
• List of works by William Butler Yeats

References[edit]

• R. F. Foster, W. B. Yeats: a Life, Oxford University Press 1998 ISBN 0-19-288085-3 pages 56, 75-76
• Richard J Finneran (ed) Yeats: An Annual of Critical and Textual Studies XII, 1994 ISBN 0-472-10614-7 pages 91–92
• Michael Bell, Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Centuries ISBN 0-521-58016-1 pages 44–59
• Terence Brown, The Life of W.B. Yeats Blackwell Publishing 2001 ISBN 0-631-22851-9 pages 9, 19, 66
• William A. Dumbletone, Ireland: Life and Land in Literature SUNY Press 1994 ISBN 0-87395-783-0 Pages 93–95, 129, 135-138